There’s something deeply moving about capturing the raw authenticity of human emotion through the lens of a camera. Over the past six years, as a full-time wedding photographer, I’ve had the incredible honor of documenting countless love stories. Weddings, engagements, elopements, and even a few corporate celebrations have filled my calendar, each offering a new chapter of connection, joy, and fleeting moments.
When I began, photography was more of an exploration than a career. It was a creative flirtation with light and timing, a weekend hobby that gave me a reason to chase golden hour through quiet suburban streets. I’d photograph the way light danced on a blade of grass or how it illuminated my dog’s fur in the late afternoon. I didn’t begin this journey with top-tier equipment or a detailed plan for success. Instead, I started with a simple Canon DSLR and a lot of curiosity. That first camera sparked something in me. And even after all these years, I’ve remained loyal to the Canon ecosystem, not because it’s inherently better than other brands but because it's the foundation of my photographic voice.
The Canon 5D Mark IV is now my primary camera body. Its robust build and reliable performance make it a natural fit for high-pressure wedding environments. Whether I'm dealing with unpredictable natural light, stormy skies, or dimly lit chapels, this camera consistently delivers stunning results. Its color science and dynamic range are second to none, and I trust it implicitly to capture emotion as vividly as I see it. Alongside it, my Canon 5D Mark III remains in rotation, offering familiar reliability with every shutter click. Switching between the two bodies feels like moving between trusted companions, each with its own personality but united in purpose.
Reliability is more than a comfort in wedding photography; it’s a necessity. There's no room for error when you're documenting once-in-a-lifetime moments like a couple's first kiss or a teary exchange of vows. That's why I always have a third camera body on standbyanother 5D Mark III kept in pristine condition, ready to step in at a moment’s notice. I’ve yet to experience a catastrophic failure, but simply having that safety net allows me to shoot with confidence and peace of mind.
The dual-camera system, essential for managing the fast-paced rhythm of a wedding day, is made possible by one of the most transformative pieces of gear I’ve adopted: the Holdfast Money Maker strap. More than just an accessory, this leather harness has revolutionized how I shoot. Before discovering it, I often ended wedding days with aching shoulders and a stiff lower back. Now, the weight of two full-frame DSLR bodies is distributed evenly across my frame, allowing me to move effortlessly between moments without sacrificing comfort or mobility. Its classic design even adds a layer of professionalism to my appearance, something clients notice and appreciate.
Packing With Purpose: Mobility Meets Intentionality
When I reflect on the way I pack for a wedding or an engagement session, I'm often struck by how streamlined my process has become. Efficiency isn’t just a bonusit’s critical. My entire setup fits into a single backpack, allowing me to move swiftly between ceremony locations, climb narrow staircases, or squeeze between crowded dance floors without ever feeling burdened. Traveling light has always been my philosophy. I carry what I need, no more and no less.
My backpack of choice is a durable, thoughtfully designed Incase camera backpack. This bag has accompanied me through vineyard weddings in the rain, barefoot beach ceremonies, and rooftop elopements against urban skylines. It has stood the test of time for two years now and remains structurally sound, its zippers and compartments as reliable as ever. Inside, it carries my essential tools: camera bodies, lenses, batteries, memory cards, flashes, and even a tripod that tucks neatly into a side holder. It’s not just a bagit’s a mobile studio. Every compartment is filled with intention, every zipper a gateway to creating something meaningful.
But not all shoots require the full weight of my wedding gear. For more intimate sessions like engagements or elopements, I often reach for my Ona Brooklyn camera bag. This bag holds a special place in my heart, not just for its functionality but for the story behind it. It was a gift from my husband, back when photography was still a dream, not a career. I hadn’t booked my first client yet, and I was still unsure whether this path would lead anywhere. But he believed in me before I fully believed in myself. That belief, wrapped in soft leather and reinforced with sturdy stitching, gave me a kind of validation I hadn’t yet earned.
Today, the Ona bag comes with me on shoots where I want to travel light. It holds my two camera bodies, a couple of favorite lenses, extra batteries, and memory cards. It’s compact but capable, allowing me to stay agile and unencumbered. It’s the bag I reach for when I want to disappear into the moment, blending in so I can focus entirely on the story unfolding before me.
Photography demands flexibility, and my gear setup reflects that. I have learned to anticipate movement, light changes, and human unpredictability. Wedding days don’t follow scripts. There’s a pulse to them, a natural rhythm that demands a photographer be part artist, part problem solver, and part time traveler. One moment you’re capturing the groom nervously adjusting his cufflinks, and the next, you’re racing to catch a grandmother’s fleeting smile. In those high-stakes, high-emotion environments, complicated gear swaps or heavy bags just aren’t practical. Mobility is everything.
The Philosophy Behind the Kit: Minimalist, Intentional, Ready
Many photographers have asked me why I haven’t yet switched to a mirrorless system or drastically expanded my gear collection. In a world constantly chasing the newest tech, it’s a fair question. But the honest answer is simple: I don’t feel the need to. My DSLR bodies still perform beautifully, delivering industry-standard image quality with every click. More importantly, I know them inside and out. In high-pressure moments, that level of familiarity isn’t just helpfulit’s essential. There’s no second-guessing where a button is or how to change a setting. My hands move instinctively. I shoot by feel, not by fumbling.
This intuitive relationship with my gear means I can stay fully present during shoots. I’m not distracted by equipment or overwhelmed by options. Instead, I focus on capturing the connections unfolding in front of me. The best images I’ve ever taken weren’t the result of perfect settings or high-end gear. They came from being in the right place at the right time, ready to press the shutter as raw emotion came into focus.
The tools in my bag aren’t just machines. They’re extensions of my creative eye. They enable me to step into weddings and engage from a place of authenticity and emotional awareness. Whether it’s the tearful embrace of a parent, the laughter of old friends reunited, or the quiet moment a couple shares between the chaos, these are the moments I live for. My equipment helps me preserve them, but it never overshadows them.
Gear should enhance your vision, not define it. That’s been my guiding principle from day one. A thoughtfully chosen lens or a well-balanced strap may seem like a small thing, but it can mean the difference between being overwhelmed and being perfectly in sync with the story you’re telling. I’ve always prioritized gear that feels natural in my hands and supports my ability to work quietly and efficiently.
As I prepare for each new wedding season, I do occasionally consider new additions or upgrades. But more often than not, I come back to the same essentials. These pieces have proven themselves not just in their technical capabilities but in how they support my approach to photography. They allow me to remain present, grounded, and responsive. That’s worth more than any cutting-edge spec sheet.
Photography isn’t just about taking pictures. It’s about creating space for connection, capturing emotion, and preserving memories that will outlast us all. And for me, the contents of my photography bag are more than just tools. They’re the trusted companions that allow me to do this meaningful work with clarity, confidence, and heart.
Capturing Love Through Glass: The Soul of Wedding Photography
There’s a unique kind of magic in wedding photography. No two days are alike, no light ever repeats itself exactly, and no moment can be perfectly predicted. The beauty of documenting love stories lies in embracing that unpredictability. While instinct and experience are my constant companions, the tools that help me interpret each scene are just as vitalespecially the lenses that serve as my eyes.
In the world of wedding photography, lenses aren’t mere pieces of gear. They are co-creators of the narrative, collaborators that translate emotion, movement, and light into lasting visual memories. They frame each tear, highlight each glance, and transform fleeting seconds into eternal keepsakes. Every photographer has a unique philosophy about their gear, and mine centers on intimacy and intention. I don't believe in carrying an arsenal of lenses I’ll barely use. Instead, I rely on a refined kit that aligns with my style, my workflow, and the emotional depth I strive to convey in every frame.
The relationship I have with my lenses is not just practical; it’s deeply personal. After years of exploring different focal lengths, playing with apertures, and testing how glass reacts to changing conditions, I found the ones that speak to my creative voice the loudest. These lenses have shaped how I shoot, how I move, and how I tell stories through my images. And while the entire world of wedding photography gear is vast and often overwhelming, there’s something incredibly freeing about working with a streamlined, thoughtfully chosen collection.
My Go-To Lenses: Simplicity, Consistency, and Character
Let’s start with the lens that almost never leaves my camera: the 35mm f/1.4L. If a single piece of gear could define my approach to wedding photography, it would be this one. The 35mm has a way of inviting the viewer into the sceneit captures intimacy without sacrificing context. It is wide enough to showcase the environment, yet tight enough to keep emotions front and center. Whether I’m shooting in a small prep room filled with laughter and hairspray or catching spontaneous dance floor moments late into the night, the 35mm adapts beautifully. It excels at candid storytelling, rendering a documentary-style aesthetic that feels honest and immersive.
Its subtle edge distortion adds a cinematic quality that pulls you into the story. I find that it mirrors how the human eye experiences a scene, which helps create a natural visual rhythm in my galleries. Over time, the 35mm has become more than just a workhorseit’s a creative partner. It moves with me easily, responds swiftly in low light, and feels like a seamless extension of my vision.
Then there’s the 85mm f/1.8L, a lens I reserve for moments of softness and romance. It provides a beautiful counterbalance to the 35mm, offering a dreamy compression that isolates subjects while still preserving emotional connection. During golden hour, when light spills like honey over a couple in love, the 85mm captures that glow with warmth and subtle elegance. Its ability to separate the subject from the background makes it ideal for intimate portraits, long walks through open landscapes, or tearful vows shared under trees or at candlelit altars.
What I love most about the 85mm is how it highlights expressions without being invasive. From a comfortable distance, I can catch raw, heartfelt momentsa mother wiping away a tear, a groom overwhelmed with emotionas if I were right beside them. This lens helps me honor personal space while still diving deep into the emotion of the day.
While these two lenses are the backbone of my kit, each fulfilling specific creative needs, I also keep a few others in rotation for more specialized situations. The 70-200mm f/2.8L is one such lens. It doesn’t see action all day, but when it does, it delivers with precision. I bring it out primarily during ceremonies, especially those with strict photography zones or cultural boundaries that limit proximity. It's heavy and requires a bit more muscle and mindfulness, but the clarity and detail it provides make every ounce worth it. The images it produces are sharp, respectful, and rich with story.
Another lens I keep tucked in my bag is the modest yet meaningful 50mm f/1.8. It’s not a primary player anymore, but it holds a place of honor. This was the first prime lens I ever ownedthe lens that taught me how to see light, how to compose with purpose, and how to wait for the perfect moment. It’s my backup lens now, quietly resting next to spare batteries and memory cards, but every time I see it, I’m reminded of how far I’ve come.
Lean, Light, and Intentional: Why My Gear Reflects My Philosophy
One of the biggest misconceptions about wedding photography is that you need every piece of equipment under the sun to be successful. But the truth is, weddings are emotionally charged marathons. They demand a unique mix of artistic agility and emotional awareness. Carrying a heavy bag filled with gear I rarely use only distracts me from the heart of the story. That’s why my approach has always been about simplicity and instinct. I want to be fully present with the couple, reading the room, anticipating the momentnot fumbling with gear choices.
Every lens in my bag has earned its place through years of real-world testing and personal reflection. I don’t chase trends or buy gear for the sake of it. Instead, I invest slowly and intentionally, choosing tools that elevate my craft while allowing me to remain nimble and focused. One such example is the 24mm f/1.4L, a lens I occasionally rent when I know I’ll be shooting in especially tight or crowded venues. It’s a phenomenal piece of glass for capturing the full atmosphere of a reception space or an electrified dance floor without overwhelming the composition with distortion. Its wide perspective can turn a chaotic room into a cohesive scene, offering viewers a complete sense of the celebration.
I haven’t added the 24mm to my permanent kit yet because I’m mindful about what I carry. Renting it when needed allows me to stay light without sacrificing creative range. This strategy has helped me avoid burnout and keep my storytelling fresh. Every piece of gear I choose must serve a real purpose, not just fill a slot in my bag.
More importantly, these lenses have grown with me. They’ve seen hundreds of weddings, each one unique, each one unforgettable. My 35mm has captured first looks filled with quiet awe and exits drenched in confetti and joy. The 85mm has stood beside me as I documented whispered promises, emotional speeches, and stolen glances between newlyweds. Every scratch on their barrels, every smudge on their hoods, tells a story of love witnessed and moments preserved.
Wedding photography isn’t about collecting gearit’s about creating space for moments to unfold naturally. It's about trusting your tools so completely that you forget they’re even there. My lenses allow me to disappear behind the scenes, to let emotion take center stage, and to deliver galleries that couples can feel, not just see.
The Art of Movement: Why Carrying Gear with Purpose Matters
There’s something deeply poetic about how a photographer moves through the energy of a wedding day. Every step, every gesture, is part of a silent choreography. The goal is always to blend invisibly into the background while being perfectly placed for every important moment. It's a balance of presence and discretion, of attentiveness and subtlety. This fluidity in movement doesn't just depend on the quality of the gear we use, but equally on how that gear is carried. Over the years, I’ve realized that the foundation of a romantic image often lies in something less glamorous yet absolutely crucialergonomics.
When I started shooting weddings, I used basic neck straps. They seemed fine at first, doing their simple job of holding my camera around my neck. But as I began taking on more full-day weddings, the physical toll started revealing itself. Imagine ten hours on your feet, constantly lifting two heavy full-frame camera bodies, each with its own set of premium glass. By the end of the night, my shoulders felt brutalized. My spine would curve into a slump, and the next morning, I’d wake up sore, as if I had been hauling bricks, not memories.
Everything changed the day I was introduced to the Holdfast Money Maker. This leather dual camera harness completely redefined how I approached physical comfort while shooting. Rather than letting the gear weigh down on one side or stress my neck, the Money Maker distributes the load evenly across both shoulders. It makes it possible to move freely and confidently, whether I'm squeezed into a packed bridal suite or navigating an outdoor location. The harness doesn't just serve a functionit has become part of my signature look. Guests at weddings often mistake it for a stylish accessory, asking if it’s part of my outfit, not realizing it's a tool crafted for utility.
Working with two cameras simultaneously eliminates the need for constant lens swapping. This directly impacts my efficiency. I can shoot a wide scene and, in a heartbeat, switch to a tight portrait without missing the emotional in-between. This ability to instantly pivot between focal lengths helps tell a deeper, more layered story. Weddings move quickly, emotions evolve in seconds, and there is no pause button. Having the right support system means fewer technical delays, less mental fatigue, and more creative freedom.
As my craft matured, I began to see that being a great wedding photographer means taking your physical health seriously. You can’t be fully present if you’re uncomfortable, distracted by pain, or wasting energy on the logistics of your gear. How you carry your tools plays directly into how effectively you can capture fleeting moments. For me, the Holdfast Money Maker isn’t just a harness. It’s a gateway to presence, comfort, and the clarity to focus on what really mattersthe people, the light, the emotions.
Purposeful Packing: Choosing the Right Bags for the Right Moments
Over the years, I’ve come to view my camera bags not just as storage containers but as integral parts of my process. Each bag I carry serves a unique purpose, chosen with intention to complement the rhythm of different types of shoots. The gear stays the same, but the way I carry it shifts depending on the demands of the day. I rely on two main bags that have proven themselves time and again in every kind of situationfrom sprawling wedding venues to intimate backyard elopements.
The Incase backpack is my go-to companion for full wedding days. What makes it stand out is its generous capacity that never feels bulky. It is spacious enough to accommodate my camera bodies, multiple lenses, flashes, memory card wallets, light stands, and even a tripod that secures neatly to the side. Despite its rugged functionality, it doesn’t scream “camera bag.” It has a sleek, professional appearance that blends into any setting, whether I’m walking into a five-star hotel or hiking up a trail for mountaintop portraits.
Its organizational design is something I genuinely appreciate. Every pocket, every divider, feels purposefully placed. In high-pressure moments when seconds matter, I can unzip the compartment and reach exactly what I need without rummaging or unpacking half the bag. It’s these seemingly small efficiencies that create space for calm amid the chaos of a wedding timeline. The bag has weathered countless adventures, endured everything from crowded airports to drizzly outdoor ceremonies, and still looks as polished as the day I bought it. That kind of reliability brings peace of mind I wouldn’t trade for anything.
Then there’s my Ona Brooklyn. This leather satchel carries a very different kind of weightemotional, not just physical. It was a gift from my husband before I had ever booked a wedding. Back then, I was still learning the basics, taking pictures of flowers in our backyard and daydreaming about light, storytelling, and the courage to chase a creative career. He believed in my vision long before I had a single client or even a proper portfolio. This bag became a symbol of that early belief.
Today, the Ona Brooklyn is what I bring to shorter sessionsengagements, maternity shoots, and intimate elopements where less is more. It’s structured, compact, and beautifully worn in all the right places. It fits two camera bodies, two lenses, and just enough space for the essentials. Carrying it reminds me of where I started and who stood beside me. And perhaps most importantly, it keeps me grounded in the passion that sparked this journey in the first place.
Each of these bags plays a role in shaping how I approach my shoots. The Incase gives me the logistics to handle a large-scale wedding with precision. The Ona connects me to the personal side of my craft. Together, they balance the practical with the emotional, allowing me to show up prepared and fully present, no matter the scale of the event.
From Gear to Grace: Creating Calm in the Chaos
Weddings are beautiful, yes, but they’re also fast, intense, and occasionally unpredictable. As a photographer, I’m constantly adapting to new environments, shifting light, emotional highs, and unexpected delays. Amidst this whirlwind, consistency and calm become your greatest allies. That’s why the way I carry my gear matters so much. It isn’t just about convenienceit’s about creating a reliable framework that supports creativity.
Knowing exactly where each piece of equipment lives, trusting that every zipper will glide open without resistance, and having a setup that keeps my body pain-free for twelve hours straightthese are things that elevate my performance without anyone ever seeing them. When a bag becomes an extension of your workflow, it disappears into the background, allowing you to focus entirely on your clients and your vision.
There’s a kind of muscle memory that forms over time. I can sling the Money Maker over my shoulders and feel instantly ready. I know how my cameras hang, how they move with me. I can reach into my Incase bag with one hand and grab the flash I need before the first dance begins. I can sling the Ona over my shoulder for a sunset session and feel the familiar tug that reminds me of all the shoots that came before it. These aren’t just tools. They are trusted companions in a career built on fleeting moments and fast reactions.
But perhaps the most valuable thing these choices have given me is peace. When you’re not worrying about where something is or how long your body can hold up, you free your mind to pay attention to the subtle magic that unfolds throughout a wedding day. You notice the quiet smiles, the joyful tears, the way sunlight falls on a lace veil. You become a better observer. A better storyteller.
In a profession where everything is moving, changing, and evolving moment by moment, that kind of internal stillness is priceless. It gives you the edge to be not just a documentarian, but an artist. And for that, every strap, every zipper, every ounce of thought I’ve put into carrying my gear with purpose has been worth it.
The Unseen Backbone of a Wedding Photographer’s Kit
When most people think of a wedding photographer’s gear, their minds go straight to cameras and lenses. Those are the marquee tools, the headline acts, the pieces of equipment that everyone recognizes. But behind the scenes, nestled quietly in the corners of a backpack, are the essentials that keep the entire operation flowing smoothly. These items rarely get the spotlight, but they play a critical role in helping me do my job with precision and grace.
Among my most trusted tools are the two wireless flashes I never leave home without. I carry a Canon 600EX-RT and a Yongnuo YN600EX-RT II. At first glance, these two are almost indistinguishable in both form and function. But the Yongnuo subtly proves itself in the field with a few practical advantages. It’s lighter on the wallet, but that’s not where its value ends. One of the biggest benefits is its battery life display, a seemingly small detail that provides enormous peace of mind during fast-paced shoots. Knowing when a power swap is approaching without guessing is a time-saver and a stress reducer.
Using these flashes wirelessly, I’m able to experiment with lighting in ways that bring added depth and drama to wedding scenes. At receptions, I often bounce light off ceilings to create soft, flattering illumination or position a flash off-camera to carve out dimension and atmosphere. The goal isn’t to overwhelm the scene with artificial brightness but to respect the natural mood while enhancing it in subtle ways. I’ve found that delicate control over light can sculpt a bride’s cheekbones, bring a groom’s expression to life, and make a dance floor look cinematic without losing its authentic charm.
Flash photography often gets a bad reputation for being too harsh or intrusive, but with the right approach, it becomes an invisible tool. It enhances the moment without dominating it. For a photographer capturing candid joy, emotional exchanges, and spontaneous laughter, this kind of lighting control is essential. It allows me to blend into the moment while ensuring that each frame has the clarity and feeling it deserves.
Lighting That Elevates the Unexpected Moments
Beyond flashes, I always make space in my bag for the Yongnuo LED 300III panel. It might not come out at every wedding, but when it does, it changes the game. This compact LED light panel offers continuous, adjustable lighting that is perfect for scenarios where flash might be too intense or inappropriate. Whether I’m shooting an intimate first look in a dimly lit hallway or capturing portraits under the stars, the LED panel allows me to add light without altering the scene’s emotion or tone.
There’s a certain kind of magic that unfolds when natural light begins to fade. The golden hour passes, the ceremony ends, and the celebration moves into the evening. That’s when the LED panel earns its place in my kit. I’ve used it for portraits in city alleyways, under canopy tents strung with fairy lights, and once during a mountaintop elopement when the only available light came from the moon and snow. It delivers consistency in challenging lighting conditions and allows me to highlight subjects while preserving the ambient atmosphere.
Its lightweight design and reliable output make it a no-brainer addition to my bag. It doesn’t overcomplicate things and offers intuitive controls so I can focus more on connection and composition than technical fiddling. Whether I’m illuminating a bride's final touch of lipstick or gently filling shadows during a couple’s first dance, the LED panel gives me that extra control to shape light exactly the way the moment calls for.
It’s not just about creating technically sound images. It’s about elevating the emotional resonance of a scene. Photography is not just about capturing what something looks like; it’s about expressing how it feels. The LED panel helps bridge that gap, letting me reflect the quiet intimacy of a slow dance or the raw tenderness of a groom wiping a tear from his bride’s cheek.
The Unsung Heroes That Keep Everything Running Smoothly
If my cameras and lights are the core of my setup, then the supporting accessories are the quiet infrastructure that keeps the operation humming. They’re not flashy, they don’t show up in final galleries, and no one ever asks about them. But they’re essential. These are the practical, often-overlooked tools that can mean the difference between a successful shoot and a stressful disaster.
First, I carry extra batteries for every device I bring. Running out of power is simply not an option when you’re responsible for documenting one of the most important days in a couple’s life. I’ve learned to rotate my batteries carefully, label them for usage tracking, and recharge them religiously between events. Even though I rarely need them all, I always pack more than I expect to use.
Memory cards are another quiet necessity. I pack more than I think I’ll ever need, and then a few more just in case. They’re small, easy to misplace, and absolutely critical. I use high-speed, reliable cards and carry a dedicated waterproof case to keep them protected. With dual card slots in my main camera body, redundancy is built in, but preparation is still key.
A microfiber cloth is never far from reach. At any moment, I might need to clean a lens, wipe away a fingerprint, or handle a rain-speckled filter. It’s a simple tool, but it can save a shot when conditions get unpredictable.
I also keep a compact multi-tool tucked into a side pocket. It’s come in handy for tightening tripod screws, adjusting mounts, and even snipping loose threads on a dress. You never know what you might need it for until the moment arrives. Alongside that lives a small roll of gaffer’s tape. It’s indispensable for securing light stands, taping down cables, or creating impromptu solutions when things don’t go according to plan.
And yes, deep in the bottom of my bag, you’ll find a protein bar or two. Weddings are long. Adrenaline carries you for a while, but it eventually fades. Having a quick bite on hand can be the thing that keeps your energy steady through a twelve-hour day. It’s not glamorous, but it’s practicaland necessary.
These elements may never make it into a social media post, but they represent the real preparation that defines professional photography. They exist in the background so that I can be present in the foreground, fully focused on the couple, the story, and the fleeting moments that matter most.
My photography bag, as it stands today, is the result of years of refinement. Every piece has been chosen with care. Some items were added after learning the hard way. Others have been with me since the very beginning, treasured not just for their utility but for what they represent. Every scratched lens cap and scuffed flash body tells a story of a wedding, a couple, a challenge overcome.
I’ve come to see that wedding photography is a beautiful balance between meticulous planning and complete surrender. You can scout the venue, chart the timeline, and test every battery, but you still have to let go and trust yourself when the tears start falling or the dance floor explodes with joy. My gear helps me walk that line confidently. From the main camera body to the smallest snack, everything in my bag has one purposeto help me be ready, whatever the day may bring.
Conclusion
In the end, every item I carry serves a purpose far beyond its technical function. My gear isn’t about quantityit’s about meaning, memory, and intention. From trusted cameras and curated lenses to the bags that hold more than just tools, every piece supports my ability to move, feel, and connect. It’s not about chasing perfection, but about creating space for honesty and heart. This minimalist setup keeps me grounded, present, and ready to capture love as it unfolds. Because when everything else fades, these imagescrafted with care and carried with purposeare what remain. That’s the true magic of wedding photography.